Buxtehude Membra Jesu Nostri Review. Album. Released BBC Review. Buxtehude’s set of seven short cantatas for Holy Week. Buxtehude’s cantata cycle, Membra Jesu Nostri, is a unique work. Based on texts from a medieval Latin hymn, ‘Salve mundi salutare’, the cycle contains seven. DIETRICH BUXTEHUDE – Membra Jesu Nostri – Cycle of 7 cantatas – HEINRICH SCHÜTZ – O bone Jesu, fili Mariae – The Monteverdi Choir – The English.
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Links Reviews available at www. Illustra faciem tuam super servum tuum, salvum me fac in misericordia tua. Each cantata in Membra Jesu Nostri is divided into six sections; an instrumental introduction; a concerto for instruments and five voices SSATBwith the exception of the fifth and sixth cantatas where only three voices are used; three arias for one or three voices, each followed by an instrumental ritornello ; and an exact reprise of the concerto.
The continuoplaying throughout, is not shown. Cum me jubes emigrare, Jesu care, tunc appare, o amator amplectende, temet ipsum tunc ostende in cruce salutifera.
Breakfast BBC Radio 3. Summi regis cor, aveto, te saluto corde laeto, te complecti me delectat et hoc meum cor affectat, ut ad te loquar, animes. Vulnerasti cor meum, soror mea, sponsa, vulnerasti cor meum. Quid sum tibi responsurus, actu vilis corde durus? Find out more about our use of this data. Arrangements and Transcriptions Ad pectus: For more information about New Trinity Baroque, visit our website. The work is scored for five voices SSATB who may also form the choir, two violins and basso continuo.
Buxtehudf God, my salvation, sweet Jesus, my beloved, hail, breast to be revered, to be touched with trembling, dwelling of love. Quid rependam amatori, qui elegit pro me mori, ne dupla morte morerer.
Membra Jesu Nostri, BuxWV 75 (Buxtehude, Dietrich)
Sicut modo geniti infantes No. Hail, true temple of God, I pray, have mercy on me, You, the ark of all that is good, make me be placed with the chosen, rich vessel, God of all. This work is licensed under a Creative Commons Licence. Vulnerasti cor meum SSB, 5 viols, continuo Ad faciem: Clips taken from original discs may contain strong language. Find out more about page archiving. Viva cordis voce clamo, dulce cor, te namque amo, ad cor meum inclinare, ut se possit applicare devoto tibi pectore.
In this part a consort of viola da gamba replaces the violins. Creative Commons Attribution-NonCommercial 4. It’s a strange concept: What answer shall I give You, Vile as I am in deed, hard in my heart?
From Wikipedia, the free encyclopedia. Buxtehhude work is known as the first Lutheran oratorio. The recording is everything you could wish for, as radiant and illuminating as the performances, and if you haven’t already succumbed to Buxtehude’s genius as Bach didthen why not start here?
Salve Jesu, pastor bone, fatigatus mebmra agone, qui per lignum es distractus et ad lignum es compactus expansis sanctis manibus.
Contents 1 Performances 1. Cantata cycle by Dieterich Buxtehude. This page has been archived and is no longer updated.
Membra Jesu Nostri – Wikipedia
Song of Solomon 4: The nails in Your feet, the hard blows and so grievous marks I embrace with love, Fearful at the sight of You Mindful of Your wounds. Hail, salvation of the world, Hail, hail, dear Jesus! Buxtehude selected biblical verses for the concertos, and three strophes from each part of the poem Salve mundi salutare for the arias in each cantata. Creative Commons Attribution Share Alike 3. They dally deliciously on any expressive dissonances and suspensions, while the players add warmth and colour with intelligent use of vibrato and ornamentation, becoming more overtly dramatic at the start of the third cantata, where their percussive introduction reminds you forcibly of the nails hammered into Christ’s hands.
Si tamen gustatis, quoniam dulcis est Dominus. The following table shows for each cantata the title and its translation, Tempo marking, the voices SATBfirst for the choir, then for the arias, with S2 for the second sopranothe Baroque instruments of two violins Vl and five violas da gamba Vgand the biblical text source for the concerto.
Salve latus salvatoris, in quo latet mel dulcoris, in quo patet vis amoris, ex quo scatet fons cruoris, qui corda lavat sordida. Tracklistings come from MusicBrainz.
Manus sanctae, vos amplector, et membrz condelector, grates ago plagis tantis, clavis duris guttis sanctis guxtehude lacrymas cum osculis. Song of Solomon 2: Views Read Edit View history. The first and the last cantata of the cycle deviate from this pattern. It is divided into seven parts, each addressed to a different part of Christ’s crucified body: