It is like stumbling across an alien manuscript, something unearthly and beautifully rendered, but incomprehensible. Cornelius Cardew’s Treatise has been. Graphic Scores from “Treatise” by Cornelius Cardew Cornelius Cardew ( – ) was a British music composer, who worked as an. Treatise [Score] – Cornelius Cardew PDF [35Mb] ‘Treatise is a graphic musical.

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This kind of thing happens in scoe. This page was last edited on 26 Octoberat Distinguish symbols that enclose space circle, etc. My attitude is that the musical and the real worlds are one.

During the instrumentation of the group expanded far beyond saxophone, tratise, violin and guitar. This October recording of the work – not the complete score, as Petr Kotik’s liner notes here make clear it would have been nice to know which pages were performed From the Depth of Silence: Retrieved from ” https: Identification with nature is similar to preparedness.

This page graphic score, which occupied the composer for four years, and which performers are encouraged to interpret any way they feel appropriate though useful tips abound in the Treatise Handbook Cardew published in is rich, elusive and thought-provoking enough to keep you busy for a lifetime.

Also by Petr Kotik on Mode: Please feel free to write us if you notice misattributions or wish something to be removed. The tapes have been carefully restored and remastered, but there’s still plenty of vintage analogue airiness to the sound. This site uses Akismet to reduce spam.

Yes improvisation is a sport too, and a spectator sport, where the subtlest interplay on the physical level can throw into high relief some of the mystery of being alive. Your email address will not be published.

However, Cardew allows resemblances to occur only as a reminder of the works musicality. Improvisation is a language spontaneously developed treaitse the players and between players and listeners. The horizontal central bar is the main and most constant orientation; what happens where it ceases or bends? And, cronelius Treatise has often attracted free improvisers, we’re cprnelius not talking anything goes n’importe quoi I have serious doubts about some of the other available recordings of the work, though ; you can hear the players thinking, both in the long stretches of silence and in cornelis explorations on instruments “none of us really knew how to play.


The score is not accompanied by any explicit instructions to the performers in how to perform the work, or what sound-producing means are to be used. What symbols are for sounding and what for orientation. They began using many other instruments and non-instruments, resonant objects made from glass, metal and wood. From Wikipedia, the free encyclopedia. Who can say in what consists the mode of operation of this language? Cardew draws the conclusion that an improvisation cannot be scored or recorded within out some loss occurring because of the absence of this structure.

Mainly the Visual Aspects,” Tempo The chapter entitled Treatise: Gregory Battcock New York: At the bottom of each page Cardew has included a double staff, which implies yreatise this is a linear musical score to be read from left to right. Not so sure I like it much, but, if “every honest utterance makes sense” Cardewit certainly has its place here treatisd with Kotik’s squeaking trumpet played with a bassoon reed and bouncing ping pong balls.

Treatise is a musical composition by British composer Cornelius Cardew — Cardew refers to Wittgenstein again and quotes him equating the logical structure of recorded music to the logical structure of a score. Works by Anton Stankowski – German graphic designer and painter Anton Stankowski – worked on the possibility of…. Here is a visual analysis of cornelisu composition.

Treatise Handbook

However, he says that graphic artists and mathematicians may be more prepared to creatively interpret the score although ccornelius may cornwlius less capability controlling a musical instrument and producing their desired sound. Compositions by Cornelius Cardew compositions. Kotik met Cardew in Warsaw inand they began exchanging scores by mail, including Treatisewhich was a work in progress. He states the implicit contradiction in attempting to describe a piece of work that has been constructed in order to remain open to interpretation.


Treatiwe it could allow forms of improvisation. In writing this score, Cardew has taken great care to not suggest ways in which it should be read or interpreted by performers of the work.

Cardew has noticed that well trained musicians that can over-interpret the work Treatise in the sense that they might attempt to literally read the score in a method as close as possible to a reading of standard western notation.

Integrity is the importance of a performer remaining true to the carrew of the music. However, a simplistic musical expression must also subtly express how it was achieved.

His thoughts resonate with a raw earthiness appropriate to the score. However, some justification is made by the fact that Cardew has the opportunity to publish two scores within this book and the lecture Towards an ethic of improvisation. By using this site, you agree to the Terms of Use and Privacy Policy. The Treatise Handbook Cardew brings together several texts and two scored compositions by Cornelius Cardew. Some of the symbols in the score clearly echo western notation.

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Written between andthe composition is made up of a graphic musical score of pages in a visual language invented by the author and completely distant from conventional music treaise. Tilbury says of this performance: It is apparently only meant to indicate that the graphic elements are musical, not purely artistic, in character.

The Beauty of Indeterminacy. Graphic Scores from “Treatise” by Cornelius Cardew – SOCKS

However, indications of sounds, noises, and musical relationships do not figure in the score, which is purely graphic… Each player interprets the score according to his own acumen and sensibility. Remember that no meaning is yet attached to the symbols. Subsequently Cardew embraced Maoism and wholeheartedly repudiated this and other works of his avant-garde period.