Beaumarchais (based on the play by), Bobby E. Lüthge (dialogue) | 2 more El barbero de Sevilla () Miguel Ligero and Roberto Rey in El barbero de. Barbero de Sevilla, El (Spanish Edition) [Pierre Augustin Caron de Beaumarchais] on *FREE* shipping on qualifying offers. El barbero de Sevilla [Pierre Augustin Caron de Beaumarchais] on *FREE* shipping on qualifying offers. Madrid. 18 cm. p. Encuadernación.

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After being promised money, and afraid the Count will seek beaumarchaais on him if he refuses, Figaro devises a variety of ways for the Count and Rosine to meet and talk, first as Lindor, then as Alonzo, a fellow student of the same music master, Bazile.

For other uses, see The Barber of Seville disambiguation.

Though the Count referred to him as a “rather bad servant,” he was pleased enough with Figaro to write him a recommendation to the Bureau in Madrid, where he was given a job as an assistant veterinary surgeon, much to his disappointment.

Eventually he gave up writing, and set himself up as a barber surgeon. He notices ink stains on Rosine’s fingers; suspicious, he demands to know what she wrote. Pierre Beaumarchais ‘s Figaro Trilogy. Rosine enters pretending to be quite angry, having chosen the music lesson as an excuse to pick a fight with Bartholo. To ensure that she really loves him and not just his money, the Count disguises himself as a poor college student named Lindor, and attempts to woo her.

Bartholo comes in just a moment after it is signed, and after making some futile arguments against the contract’s validity, resigns himself.

Fígaro, barbero de Sevilla : comedia en cuatro actos

The doctor returns and sends the Count away. After “pensively proceeding through the two Castillesla ManchaExtremadurathe Sierra Morenaand Andalusia ” he set up shop in Seville, where he became reacquainted with Count Almaviva, and after assisting him with some romantic troubles, was hired as the Count’s personal valet.


The plot involves a Spanish countcalled simply The Count, although “Almaviva” appears as an additional name whether it is a first name or a surname is not clearwho has fallen in love at first sight with a girl called Rosine.

According to the information Figaro gives at various points throughout the plays, his life story appears to be thus: At this point the Count enters disguised as an inebriated soldier, and sings a song to the tune of ” Vive le vin “.

He advises against Bartholo’s plan to force a marriage with Rosine, but Bartholo takes no heed. Bartholo comes in, complaining that Figaro has given incapacitating medical treatments to all the servants.

Rosine comes back out to yell at him, and tell him she knows all about his horrible scheme to kidnap her: While the doctor is coming down the stairs to retrieve it, Rosine instructs the Count to pick up the sheet himself.

The Barber of Seville – Wikidata

He proposes a plan to smuggle the Count into the house by disguising him as a drunken soldier in need of lodging. Views Read Edit View history. Bartholo, and adds that as he is the doctor’s barber and apothecary, he frequents the house. The Judge enters, and the Count takes him and has him draw up a marriage contract between himself and Rosine. In The Guilty Motherthe children of the Count and Countess are named, but no offspring from Figaro or Suzanne are referenced which suggests they barbego childless.


The Count accompanies Rosine on the piano as she sings ” Quand, dans la plaine “. Je suis Lindor “introducing himself as a poor man named Lindor who is bxrbero love with her. Le financier et le savetier La bonne d’enfant Mesdames de la Halle Bartholo’s house, Rosine writes a note to “Lindor”.

She agrees to marry Bartholo, and he goes out to find a judge to perform the marriage ceremony.

The story follows a traditional Commedia dell’arte structure, with many characters seemingly based on famous stock characters. She recognizes the Count “Lindor” and becomes calm. His plans are foiled by Rosine’s guardian, Doctor Bartholo, who keeps her locked up in his house and intends to marry her himself.

El barbero de Sevilla () – IMDb

Rosine reads the actual note, which contains instructions for her to start a fight with Bartholo. Bartholo and Rosine come to a window of the house.

He listens as Bartholo and Bazile discuss the inquiries Count Almaviva has been making all over town about Rosine. Les deux aveugles Tromb-al-ca-zar, ou Les criminels dramatiques Translation varies with “I beaumarchias myself to laugh at everything, for fear of having to cry. He tells Bartholo that Bazile is sick and has sent him as a substitute to bbeaumarchais Rosine her music lesson for the day.

The Count comes to the house again, disguised this time as a teacher. This page was last edited on 31 Decemberat