Raaga: Hamsadhwani – Janya of 29th maelakarth deera sankarabaranam Thala Sreelakshmi teaches the famous Hamsadwani Raagam varnam Jalajakshi. My colleague who is a Veena player forwarded me the lyrics and the notation for the Varnam Jalajakshi Ninnedabasi in Hamswadhwani. Compositions. SaaSani, Swarajati, Rupaka Jalajakshi, Varnam, Maambuchavadi Venkatasubbaiyer, Adi Vatapi Ganapathim, Krithi, Muthuswami Dikshitar, Adi.
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It is usually sung at the beginning of a performance. Thank you once again. If you don’t mind could you please give me a few examples of padavarnams that have similar themes?
Views Read Edit View history. It has become popular due to Amir Khan.
Hamsadhwani varnam pallavi swaram by babitha av | Free Listening on SoundCloud
Use dmy dates from September It is a pentatonic scale audava-audava ragam   in Carnatic music classification — audava meaning ‘of 5’.
Hamsadhvani is also extensively used in Hindustani music and varnaam to be borrowed into it from Bamsadhwani music. Hansadhvani  Hans Dhwani. There are many padavarnams with themes similar to this taana varnam. I looked up online to see if anyone has worked on this varnam for dance purposes but could not find any information.
HAMSADWANI RAGAM (Jalajakshi) | spirit4lyf
Other Thanjavur Quartet varnams are similar. Sami ninne kori naanura is one such famous varnam. My colleague who is a Veena player forwarded me the lyrics and the notation for the Varnam Jalajakshi Ninnedabasi in Hamswadhwani. Early night, 9—12 .
The fact that it is not a popular varnam for dance at least based on the information available online makes me wonder what could be the specific reason for this. Hamsadhvani does not contain madhyamam or dhaivatam.
More appropriate would be a padavarnam or daruvarnam, which contain multiple sahitya passages. Garnam I could manage to get were some links of musicians performing this Varnam either on vocals or the violin.
Indian classical music portal. Makes sense to me now.
From Wikipedia, the free encyclopedia. For more details and illustration of this concept refer Graha bhedam on Hamsadhvani.
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Retrieved from ” https: A Survey of 74 Hindustani Ragas. The lyrics are beautiful so not sure why not many people dance to it despite of the fact that it commonly learnt by Carnatic music students. Flat Style by Ian Bradley.
Would all the experts in this forum be willing to share their knowledge on this and explain why this might be the case?