La jalousie (French Edition) [Alain Robbe-Grillet] on *FREE* shipping on qualifying offers. Le narrateur de ce récit un mari qui surveille sa femme. Published in , as the nouveau roman was rising on the Parisian literary scene, Alain Robbe-Grillet’s novel La Jalousie [Jealousy] produced in many of its . Title. La jalousie / Alain Robbe-Grillet; Jealousy. Author. Robbe-Grillet, Alain, Availability. Use of this resource is restricted in some manner. Usually this .

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The story with its jalouzie characters—the grilleg, the wife, the presumed lover—is “narrated” by the husband, a tropical planter who, from the vantage points in his banana plantation house, surrounded on three sides by its wide veranda, suspiciously keeps watch over his wife.

I will deal with you fairly, so you shouldn’t ever have to worry about money. This is already implied by the tightening spiral treatment of temporality whereby repetitions and close-ups escalate until the book finishes in a grand flourish of reverse perspective at its starting point: What does the man who the narrator notes is bending down gazing into the shallow perhaps muddy water symbolize? I don’t see how anyone could get any enjoyment out of a book like this.

Views Read Edit View history. Around the time of his second novel he became a literary advisor for Les Editions de Minuit and occupied this position from until We read the half dozen most significant aspects of his story several times.

LA Jalousie : Alain Robbe-Grillet :

You are commenting using your Facebook account. They seem to enjoy multiplying these choices, exchanging smiles, carried away by their enthusiasm, probably a little intoxicated by this proliferation Robbe-Grillet places the characters in this house around meal time or cocktail hour. In taking I was overwhelmed by this novel – the tense repetitions, disorienting looping plot, descriptions suffused with seething emotion – but anything I could say has already been captured by Tom McCarthy’s brilliant introduction.


But that is all you can do. Like, are the descriptions really of someONE looking, or could they be omniscient in some way, divorced from a point of view?

Little did I suspect that he’d soon follow us with his new bride. I am only grateful we have had no children. Is the husband the omniscient third person narrator? Yet these repetitions, these rgillet variations, halts, regressions, can give rise to modifications–though barely perceptible–eventually moving quite far from the point of departure.

Therefore the first step of this knowing murder must be to isolate objects, to alienate them as much from their usual functions as from our own biology.

Few readers answered Robbe-Grillet’s call for a radicalization of the novel, however, and the question of how one can or should read La Jalousie ‘s unruliness, its intentional challenge to hermeneutical containment and cognitive mastery, still remains open.

It’s all descriptions of a house, its plantations, its gardens, its occupants.

The imagination supplies what the senses don’t. The jealous husband in the novel spies on his wife through the Venetian blind -like slats of the jalousie windows of their home.

His early work was praised by eminent critics such as Roland Barthes and Maurice Blanchot.

Refresh and try again. The singing is at moments so little like what is ordinarily called a song, a complaint, a refrain, that a western listener is justified in wondering if something quite different is involved.

As the narrator waits for her to come home, the lamp hisses, like a green-eyed monster. To a very small extent a film like The Sixth Sense may carry a kernel of parallel in terms of narrative perspective, but this would only be in an implied, helicopter view point.

Then it could be something very close to this, by Alain Robbe-Grillet.

La jalousie / Alain Robbe-Grillet

A clever, multi-faceted, understated, ambitious and amazing rendition of perspective. Could you please fix the page number?

Is she even married? The shrill cry of some nocturnal carnivore, sharp and short, echoes again toward the alaib of the valley, at an unspecified distance. It is doubtless the same poem continuing.

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There are also a lot of extraneous details about banana trees that were ridiculed in the French press upon the book’s first publication. Frankly, robbs it pains me to acknowledge it in writing, I can’t see any future for our marriage.

The silent narrator, who never names rlbbe and whose alaih is merely inferred, e. With a “mechanical gesture,” the oval of the brush and the straight lines of its teeth pass through the “black mass” on her head, imposing order on it, just as the “mechanical cries” of nocturnal animals shape the darkness beyond the veranda by indicating each one’s “trajectory through the night. Various scenes are described from the vantage point of an outside observer – with almost a Peeping Tom feel – and the scenes overlap, spiral around, repeat with more or alaon detail, in much the same way a mind would worry over specific memories when trying to piece together a mystery.

Having uncorked the cognac she turns toward Franck and looks at him, while she begins making his drink.

Making these remarks in an article aptly entitled “On Several Obsolete Notions,” published the same year wlain La Jalousie and republished a few years later in his influential manifesto For a New NovelRobbe-Grillet made clear his intention to renovate both the novel form and the critical reading practices used in approaching the genre as a whole.

Any all-seeing and all-hearing machine, non-judgmental, opinionless, without emotion. Other possibilities are offered, during the course of the book, which lead to different endings. Mar 07, Anne-Marie rated it did not like it Recommends it for: The novel would probably not be to the taste of many readers, but I grilleh certainly glad I read it.