Como Escuchar La Musica by Aaron Copland, , available at Book Depository with free delivery worldwide. Este libro es unico en su genero. Aaron Copland es el primer gran compositor que se ocupa de dar a conocer a los lectores legos la tecnica de la composicion . Cómo Escuchar La Música by Aaron Copland. You Searched For: Seller: Alcaná Libros. (Madrid, Spain) COMO ESCUCHAR MUSICA: AARON COPLAND.

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In Copland traveled to Paris to attend the newly founded music school for Americans at Fontainebleau. Throughout his discussion, he manages to present many useful tips that help the reader to better concentrate on what is important on any piece.

I am surprised it took me so long to discover this book, escucjar it is so well written and so useful for better understanding the ways to musca concert music. Copland does this, by taking the reader through the building blocks of music.

It was these that Busoni pointed to as an example of the path that he thought music should take. In his book, Copland mentions many examples of pieces to make his point, and I guess one has to be familiar with those works in order to get it. It has also reinforced my interest in the period when so much happened artistically that we still seem to be processing. In the book, Copland covers all the key elements of music, beginning with the foundations: The only downside was that Copland is very much a man of the mid twentieth century – he adheres strongly to a very evolutionary eacuchar of music, is often a little ethnocentric, and uses language such that you would think the only time women are professionally involved with music is when someone needs a soprano.


Cómo escuchar la música – Aaron Copland – Google Books

Jul 26, Richard Pohl rated it really liked it Shelves: Copland never loses emphasis on the sublimity of music and the rather inexplicability of why good music sounds and “feels” so good to us. He also does an admirable job of attempting to put in words some of the more mysterious elements of music.

The book’s advanced age has remarkably little impact on its usefulness, except for the fact that the “listening llbro refer to old recordings.

I slogged through the second half. Copland in my educational work for sure Detalles del producto Libro de bolsillo Editor: For that I am grateful. He starts with what he calls the four elements: They are often from Beethoven, probably because he is most familiar to the aarom, but also because he ranks very high in Copland’s pantheon.

Copland was a teacher of music as well as a composer, and it shows — I would love to take a class for which this was the text.

Subscribe to our newsletter Some error text Name. I’ve already gained immensely in the area of early 20th century works and am looking forward to extending my listening range. The books flows natural, just like one of Copland’s pieces. During his ninety years, he made major A tight overview of the most significant things to look out for when listening to classical music.

The chapters on forms were a fantastic refresher, however sorry, long-lost college music theory textbooksand I enjoyed his discussions of music history throughout.

Are you hearing everything that is going on? It is really inspiring to put yourself in a composer’s shoes and go through the st The author says it’s a book even for lay people, when, in fact, it would be preferable to have a minimum of sensitivity and musical knowledge. If you’re not a musician, you might need a little bit of help understanding some of the more complicated concepts, but libri be afraid to ask A very good book for both musicians and non musicians!


He does not lose a layman in technical jargon, music notation, or advanced music theory.

What to Listen for in Music by Aaron Copland

Amazon Business Servicio para clientes de empresa. The meaning is the same as copland argues the one is merely listening to the libdo that is presented to them and not hearing the beauty and the layers of it. Popular music is easy. However, I often found his take on it interesting and occasionally illuminating.

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In he escudhar his orientation toward a simpler style. This book is probably great for musicians, but non-musicians should be careful picking this up. The method for citation is slightly different, but not difficult to learn. He describes la grande ligne this way: His most important works during this period were based on American folk lore including “Billy the Kid” and “Rodeo” It is well-structured and clear, and it doesn’t waste words.

While this book may clarify musical forms in the way an “Introduction to Music Appreciation” lecture might, its chapters on “Contemporary Music” c.

Also, I appreciated his moralizing about putting effort into music listening. Todos los derechos reservados. The theme as stated before is why one should learn to better listen to the music that they escuchaf hearing.

I think it’s a book I shall return to on occasion to deepen my understanding. This doesn’t mean that copkand who uses your computer can access your account information as we separate association what the cookie provides from authentication.